333 images (+111)

films

The recently late Edward Woodward in The Wicker Man, one of the classic horror films.  Complete with virgin sacrifice, although the burning alive version, rather than the stabbing version.

The recently late Edward Woodward in The Wicker Man, one of the classic horror films.  Complete with virgin sacrifice, although the burning alive version, rather than the stabbing version.

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1985: Virgin Sacrifice Woman in Box
Someone would rather get a peek than keep their sacrificial victim properly restrained.  Tsk tsk.

1985: Virgin Sacrifice Woman in Box

Someone would rather get a peek than keep their sacrificial victim properly restrained.  Tsk tsk.

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Even in Story of O (1954), the collar simply appears as one part of the captives’ bondage ensemble.  The symbolic importance is attached to her ring.
In Jaekin’s 1975 film version, here, the collars are (I think) kind of silly looking.
BTW, I have a new blog post on the book.

Even in Story of O (1954), the collar simply appears as one part of the captives’ bondage ensemble.  The symbolic importance is attached to her ring.

In Jaekin’s 1975 film version, here, the collars are (I think) kind of silly looking.

BTW, I have a new blog post on the book.

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Damn, that’s Elvis.
Also, I have a new blog post up here, for folks who follow the blog.
suicideblonde:

Elvis Presley in Jailhouse Rock (1957)

Damn, that’s Elvis.

Also, I have a new blog post up here, for folks who follow the blog.

suicideblonde:

Elvis Presley in Jailhouse Rock (1957)

(via nakedpeople)

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Scenes from The Wild One, 1953 (Loosely based on the Hollister Riots)

Marlon Brando’s performance of Johnny Strabbler single-handedly made leather the go-to material for sexy rebels.  For a long time after ‘53, you could not be a dominatrix in a long flowing dress, and in fact you could barely dissociate BDSM from leather fetishism (although you could be into leather without being into BDSM)

What’s impressive about this movie, even the iconic scenes shown here, is how tame it all seems.  Rebellion, like everything else, gets a subjective upgrade with every generation.

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You know what’s funny?  When you see interviews with Sean Connery, he never mentions starring in Zardoz, back in ‘73.
I can’t imagine why not.

You know what’s funny?  When you see interviews with Sean Connery, he never mentions starring in Zardoz, back in ‘73.

I can’t imagine why not.

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