OK, I’m capping myself at 17 more pictures with mirrors. Really.
qsofds: Hegeman
She’s taking a break. The mirror setup lets her admire her handiwork as well as contemplating all the work she still has to do.
(Source: wontonart)
Drawings or paintings of mirrors are a difficult technical exercise, and depending on how the mirror is supposed to be aligned, a very difficult exercise.
(Source: olderoticart)
The two dommes are BFFs. When they get together on the weekends with their lovers, they like to have the subs perform for them.
(Source: olderoticart)
GIven how far she’s sticking out her chest, I don’t think she has to be on tiptoe. She’s just trying to make a good first impression for her new werewolf master.
Sometimes, as in the classic Andromeda image and this piece by Grigbertz, the anticipated monster is just off to one side of the picture…
Thanks!
I think they’re just called motion lines, or movement lines.
But it’s important to know the language when drawing, because if you get it wrong, you might get thighs with a good idea (straight lines fanning radially out semi-perpendicular to the object can mean an idea), or a lightbulb that smells funny (if your semi-perpendicular lines are wiggly, they mean an odor). Zigzags would mean a buzzing noise, or an electric shock. It’s not perfect, though; both zigzags and straight (short) radial lines can mean pain.
My favorite of these line symbols, though, was the popped bubble (or maybe a very airy asterisk) seen in Calvin and Hobbes, which appeared over the head similar to an idea lightbulb, and indicated that one had just realized something, too late.
Also, I love, in this picture, the area rug and remote control, which (to me) suggest this is happening right on the coffee table. Under the remote, papers, or maybe a book. I wonder what they say.
Blllllllleeeeaaaaauuuuggghh. Oooooff.
So now I have a handful of new themes to work with, but I want to have a little palate cleanser of sub boys…
As I understand it, comic artists have a whole jargon in which there’s a name for those lines that indicate his thighs and hands are trembling. Anyone know that word?
(Source: spankingtushnthegiblets)
Namio Harukawa (b. 1947) is a really prolific femdom artist with a very narrow range of themes. His women are always on the heavy side, and much bigger than the skinny sub boys, who are generally getting smothered by them.
I like this image because (1) it’s technically a lot better much than much of Namio’s work, and (2) the size ratio of the two lovers isn’t unrealistic. I like the realism of her pose, too. A lot of face-sitting images have the woman sitting directly on the sub’s face with all their weight, which doesn’t work for anybody.
(Source: olderoticart)
Blllllllleeeeaaaaauuuuggghh. Oooooff.
So now I have a handful of new themes to work with, but I want to have a little palate cleanser of sub boys…
As I understand it, comic artists have a whole jargon in which there’s a name for those lines that indicate his thighs and hands are trembling. Anyone know that word?
(Source: spankingtushnthegiblets, via thumpersportfolio)

Untitled, Marc Radon
The punchline to the dragon-sacrifice motif is that the dragon eats the victim and she (or more rarely, he) dies. Sometimes the hero swoops in first to save the day, but the drama is always about getting eaten.
In my own fantasies, and generally in the kinky and infra-kinky versions of erotic peril, this final outcome is subordinated to the atmosphere beforehand. I don’t think there’s anything especially sexy about getting chewed up and digested, but the abstract idea of being tied up and helpless and waiting for the monster come….that’s pretty hot.
In “vore” fetishes, though, being eaten per se is the attraction, and it’s often treated with a kind of equanimity: this girl isn’t struggling at all.
So this is something else to discuss…