333 images (or so)

roman setting ↘↖

I wonder if the guards and the cup girl are horny and jealous all the time, or just bored silly.

I wonder if the guards and the cup girl are horny and jealous all the time, or just bored silly.

(Source: wontonart, via scentofslave)

9 April 2013 • reblog: wontonart • pan subs color ink female sub male sub hierarchy spitroast fire weapons sword mf mm threesome roman setting image within an image

This is only pan-sub because the noblewoman has her parasol-carrying boy out with her as goes shopping.  I love all the facial expressions…oooo!

This is only pan-sub because the noblewoman has her parasol-carrying boy out with her as goes shopping.  I love all the facial expressions…oooo!

6 April 2013 • reblog: wontonart • comic roman setting graffiti sale collar chain male sub female sub pan subs cfnf breasts signage redhead ff fm

Back to BDSM…here’s another “slave market” image, this time with more of the range of human bodies represented (and maybe exaggerated a bit). The image is by RJL, but it references Boulanger’s painting that we’ve already discussed.

Back to BDSM…here’s another “slave market” image, this time with more of the range of human bodies represented (and maybe exaggerated a bit).

The image is by RJL, but it references Boulanger’s painting that we’ve already discussed.

28 February 2013 • reblog: wontonart • ff female sub cosubmission naked sub chains dom(me) clothing fail digital image collar auction sale size discrepancy breasts redhead roman setting

And here is the “end product”, as it were. I like to think that the point of the masks is to minimize any effort by the slaves to influence the inspectors’ judgment, either by a pathetic expression or by the favors they offered the night before. (Is this from Caligula?  Or what?) ETA: archangelgangbang tells me this is from Spartacus: Blood and Sand “basically porn with sandals”.  Thank yoooooo!

And here is the “end product”, as it were.

I like to think that the point of the masks is to minimize any effort by the slaves to influence the inspectors’ judgment, either by a pathetic expression or by the favors they offered the night before.

(Is this from Caligula?  Or what?)

ETA: archangelgangbang tells me this is from Spartacus: Blood and Sand “basically porn with sandals”.  Thank yoooooo!

(Source: two4more, via scentofslave)

4 January 2013 • reblog: two4more • inspection group inspection ff cosubmission codomination cfnf collar mask dom(me) clothing win breasts female sub naked sub roman setting

(Almost certainly Gerome.) Prisoners awaiting the lions in the circus maximus.  Of all the classic Orientalist paintings I can think of, this is perhaps the most obviously sado-erotic: a bestial execution of naked, bound prisoners.  They are probably all meant to be girls, but it’s possible that the one on the far left is a boy, which I like to imagine.

(Almost certainly Gerome.)

Prisoners awaiting the lions in the circus maximus.  Of all the classic Orientalist paintings I can think of, this is perhaps the most obviously sado-erotic: a bestial execution of naked, bound prisoners.  They are probably all meant to be girls, but it’s possible that the one on the far left is a boy, which I like to imagine.

(Source: sabins, via schundundschmutz)

17 February 2012 • reblog: sabins • gerome late 1800s roman setting lions animals animal peril bondage co-submission public humiliation execution fig leaf female sub ambiguity oil painting

Slave Market, Gustave Boulanger, 1888 Boulanger was a friend of Gerome’s—I think was his last painting, and it is definitely a tribute (or critique?) of the one below.  Everything about it oozes verisimilitude.  I love the tent, especially, with old tarps tossed up on top.  And I love the bored look of the boy towards the left, and the obvious fact that they’ve been here all morning with almost no customers.  It tells a story, but the story isn’t very sexy.

Slave Market, Gustave Boulanger, 1888

Boulanger was a friend of Gerome’s—I think was his last painting, and it is definitely a tribute (or critique?) of the one below.  Everything about it oozes verisimilitude.  I love the tent, especially, with old tarps tossed up on top.  And I love the bored look of the boy towards the left, and the obvious fact that they’ve been here all morning with almost no customers.  It tells a story, but the story isn’t very sexy.

21 June 2010 • Roman setting female sub half-naked late 1800s male sub orientalism painting sale slave slavery signage

Slave Auction, Jean-Leon Gerome, 1880s. Soon, Gerome turned to even more fantastic settings and more erotic portrayals.  Here we are in ancient Rome.  All the slaves on display are white girls, stripped naked, and they’re obviously much-sought-after and apprehensive about it.  The girl crouching on the right looks directly at you, the viewer, as if she hopes you’ll buy her.  But still there are elements of historical realism. 

Slave Auction, Jean-Leon Gerome, 1880s.

Soon, Gerome turned to even more fantastic settings and more erotic portrayals.  Here we are in ancient Rome.  All the slaves on display are white girls, stripped naked, and they’re obviously much-sought-after and apprehensive about it.  The girl crouching on the right looks directly at you, the viewer, as if she hopes you’ll buy her.  But still there are elements of historical realism. 

21 June 2010 • Gerome orientalism roman setting late 1800s painting slave slavery auction sale Mf female sub CMNF dejected anticipation