333 images (+111)

wrists overhead

Huh…the girl on the left is definitely Erich von Gotha, who signed this, but the girl holding the mirror looks like Ben Newman.
A collaboration?  An overlay?

Huh…the girl on the left is definitely Erich von Gotha, who signed this, but the girl holding the mirror looks like Ben Newman.

A collaboration?  An overlay?

(Source: olderoticart)

7 May 2012 reblog: olderoticart erich von gotha gotha ben newman mirror ff female sub ribbons redhead collar wrists overhead bondage hard media leash breasts shaved welts


Another major subtrope is the submissive being left there in front of the mirror, to contemplate their role….
oooooo.
masochisticbeauty:

Because it’s for your pleasure and your pleasure always becomes my own. ~shivers~

Another major subtrope is the submissive being left there in front of the mirror, to contemplate their role….

oooooo.

masochisticbeauty:

Because it’s for your pleasure and your pleasure always becomes my own. ~shivers~

(Source: ella9)

28 March 2012 reblog: ella9 mirror female sub wrists overhead ball gag gag bondage breasts photo 2010s


I love the way she’s consoling him.  I can imagine all sorts of condescension: 
“I’m so sorry, sweetie, but I promised them.”

I love the way she’s consoling him.  I can imagine all sorts of condescension: 

“I’m so sorry, sweetie, but I promised them.”

(Source: womenwithwhips)

25 February 2012 reblog: womenwithwhips sardax codomination dom(me) clothing win gag male sub naked sub wrists overhead whip crop color ink 2010s


Ok, now let’s move on to the other end of this trope—the actual arrival of the monster / animal / creature.
The above, obviously, is from the original King Kong in 1933, back when Hollywood made movies with original storylines.  This is the scene where the Ann Darrow character (played by, and nearly always referred to as, Fay Wray) is being sacrificed to Kong.  
It illustrates a handful of themes that will keep coming back in the next few images.  First of all, there is the ambiguity of getting devoured = getting ravished.  (I’ve never really understood why Kong needed these little human dumplings…he ought to be eating gigantic Jurassic bananas or something.)
Second of all, there’s the undercurrent of all metaphors that we put on animals.  With King Kong (and generally with the great apes) there is an implied racial metaphor, but it isn’t clear-cut.  As many folks have pointed out, Kong might evoke white fears of blackness, but Kong is essentially the hero of the movie.  All these metaphors blur into the general notion of “bestial” sexuality, which has nothing much to do with actual beasts having sex.
Finally, from David Rosen:

The Hays Office censored what it considered the objectionable scenes in KING KONG, which included one sequence on the island where Kong gently tears Ann’s clothes off, strokes her with his finger, and then sniffs it.

Ok, now let’s move on to the other end of this trope—the actual arrival of the monster / animal / creature.

The above, obviously, is from the original King Kong in 1933, back when Hollywood made movies with original storylines.  This is the scene where the Ann Darrow character (played by, and nearly always referred to as, Fay Wray) is being sacrificed to Kong.  

It illustrates a handful of themes that will keep coming back in the next few images.  First of all, there is the ambiguity of getting devoured = getting ravished.  (I’ve never really understood why Kong needed these little human dumplings…he ought to be eating gigantic Jurassic bananas or something.)

Second of all, there’s the undercurrent of all metaphors that we put on animals.  With King Kong (and generally with the great apes) there is an implied racial metaphor, but it isn’t clear-cut.  As many folks have pointed out, Kong might evoke white fears of blackness, but Kong is essentially the hero of the movie.  All these metaphors blur into the general notion of “bestial” sexuality, which has nothing much to do with actual beasts having sex.

Finally, from David Rosen:

The Hays Office censored what it considered the objectionable scenes in KING KONG, which included one sequence on the island where Kong gently tears Ann’s clothes off, strokes her with his finger, and then sniffs it.

12 February 2012 king kong movie animals apes giants sacrifice mf female sub wrists overhead bondage animal peril race censorship


GIven how far she’s sticking out her chest, I don’t think she has to be on tiptoe.  She’s just trying to make a good first impression for her new werewolf master.

GIven how far she’s sticking out her chest, I don’t think she has to be on tiptoe.  She’s just trying to make a good first impression for her new werewolf master.

11 February 2012 grigbertz bondage in the woods breasts female sub naked sub animal peril wolf monster wrists overhead pencil 2000s


To me, this is a classic Andromeda-sacrifice type image, except the victim is the mountains rather than on the coast.  But Louis Smith, the painter, has a whole different idea:

The portrait of Holly is based on the Allegory of Prometheus, who was the champion of mankind. Prometheus stole fire from Zeus and gave it to the mortals. Zeus punished him for this crime by bounding him to a rock while a great eagle ate his liver. The punishment would take place every day,  Prometheus’ liver would grow back, only to have it eaten again the next day.
 In this portrait, Holly is looking into the face of the eagle with a calm strength and resilience, accepting the fate that lies before her. It is a heroic gesture of composure in the face of adversity. One could put a modern day spin on it and see it as having the courage and perseverance to weather life’s storms, no matter what.

To me, this is a classic Andromeda-sacrifice type image, except the victim is the mountains rather than on the coast.  But Louis Smith, the painter, has a whole different idea:

The portrait of Holly is based on the Allegory of Prometheus, who was the champion of mankind. Prometheus stole fire from Zeus and gave it to the mortals. Zeus punished him for this crime by bounding him to a rock while a great eagle ate his liver. The punishment would take place every day,  Prometheus’ liver would grow back, only to have it eaten again the next day.

 In this portrait, Holly is looking into the face of the eagle with a calm strength and resilience, accepting the fate that lies before her. It is a heroic gesture of composure in the face of adversity. One could put a modern day spin on it and see it as having the courage and perseverance to weather life’s storms, no matter what.

(via prettynaughtythings)

11 February 2012 reblog: mudwerks oil painting ambiguity prometheus andromeda female sub chains wrists overhead bondage 2000s louis smith breasts animal peril


Other times, as with branded boy here, the trope is only hinted at.  But still…what happens to him after he gets left all alone here?  Who discovers him, and what will they do?
pagesofpleasure:

lovetoshowoff2002

Other times, as with branded boy here, the trope is only hinted at.  But still…what happens to him after he gets left all alone here?  Who discovers him, and what will they do?

pagesofpleasure:

lovetoshowoff2002

(via plainnasty)

11 February 2012 reblog: lovetoshowoff2002 male sub bondage wrists overhead tatoo naked sub in the woods photo 2010s


While I like the aesthetics of super-complex “Japanese” bondage, I don’t usually have a narrative that goes with it.  Really simple bondage is easier for telling a story.
I think if the villagers actually had to sacrifice a maiden to the dragon, it would look a lot like this.  No shackles bolted to pre-drilled holes in the rocks, or elaborate knotwork.  Just a scared, skinny girl out in the field, with her wrists tied to a tree.
So this is the first of a couple themes that I want to move towards as we put dragons behind us: the more generic outdoor-sacrificial-bondage trope.

While I like the aesthetics of super-complex “Japanese” bondage, I don’t usually have a narrative that goes with it.  Really simple bondage is easier for telling a story.

I think if the villagers actually had to sacrifice a maiden to the dragon, it would look a lot like this.  No shackles bolted to pre-drilled holes in the rocks, or elaborate knotwork.  Just a scared, skinny girl out in the field, with her wrists tied to a tree.

So this is the first of a couple themes that I want to move towards as we put dragons behind us: the more generic outdoor-sacrificial-bondage trope.

(Source: scentofslave)

8 February 2012 reblog: scentofslave bondage sacrifice female sub skinny breasts pubic hair wrists overhead rope naked sub


22 January 2012 reblog: lunatrash mf play piercing harp music musical instrument naked sub bondage rope female sub wrists overhead wooden horse photo 2010s


Andromeda, who we’ve seen before, is sort of the ur-example of the dragon sacrifice in the west.  Although her problem is actually a sea monster, strictly speaking.
While her peril-bondage scenario is always dark/erotic, Picou really takes it up a notch.
ricp:

msbehavoyeur
Henri-Pierre PicouAndromeda Chained to a Rock, 1874

Andromeda, who we’ve seen before, is sort of the ur-example of the dragon sacrifice in the west.  Although her problem is actually a sea monster, strictly speaking.

While her peril-bondage scenario is always dark/erotic, Picou really takes it up a notch.

ricp:

msbehavoyeur

Henri-Pierre Picou
Andromeda Chained to a Rock, 1874

(via werusdarkworld)

9 November 2011 reblog: msbehavoyeur andromeda gorgon bondage chains wrists overhead animal peril monster naked sub female sub sacrifice shaveed breasts weapons sword late 1800s oil painting mythology